- Studio:<\/strong> Madhouse<\/li>
- R\u00e9alisation:<\/strong> Shingo Natsume<\/li>
- Date de d\u00e9but de diffusion: <\/strong>4 Janvier 2019<\/li>
- Nombre d\u2019\u00e9pisodes:<\/strong> 18<\/li>
- Adaptation ?<\/strong> Oui (Light novel de Kouhei Kadono et Kouji Ogata)<\/li>
- Disponible en France ?<\/strong> Oui (Wakanim)<\/li><\/ul>\n\n\n\n
![\"\"](\"https:\/\/i0.wp.com\/neantvert.eu\/bref\/wp-content\/uploads\/2019\/06\/boogiepop_wa_warawana_2019_7645.jpg?fit=355%2C500\")
<\/figure><\/div>\n\n\n\nChoix int\u00e9ressant du label Dengeki Bunko<\/em> qui pour son 25e anniversaire d\u00e9cide de ressortir Boogiepop<\/em> du placard et de lui offrir une nouvelle adaptation anim\u00e9e, pr\u00e8s de vingt ans apr\u00e8s la premi\u00e8re adaptation que, h\u00e9l\u00e0s, je n’ai pas vu donc ne vous attendez pas \u00e0 des efforts de comparaisons: prenons ce Boogiepop and others<\/em> seul. Une s\u00e9rie qui se cale dans un cr\u00e9neau tr\u00e8s d\u00e9laiss\u00e9 (l’horreur psychologique), o\u00f9 la demande commence \u00e0 \u00eatre forte. Rajoutez le fait de voir le tr\u00e8s talentueux Shingo Natsume (One-Punch Man, ACCA<\/em>) a la r\u00e9alisation et vous pourrez donc comprendre \u00e0 quel point les attentes autour de cette s\u00e9rie pouvaient \u00eatre fortes. <\/p>\n\n\n\n
Ce qu’on ne pourra certainement pas reprocher \u00e0 Boogiepop<\/em> c’est sa capacit\u00e9 \u00e0 mettre une ambiance qui lui est propre. D\u00e8s le premier \u00e9pisode, on est pouss\u00e9 devant une histoire qui est racont\u00e9e de mani\u00e8re volontairement d\u00e9cousue, dans un ordre non seulement non chronologique mais qui peut m\u00eame sembler compl\u00e9tement al\u00e9atoire. Malgr\u00e9 cela, tout cet arc nattarif r\u00e9ussit le miracle \u00e0 nous rendre confus sans jamais totalement nous perdre: malgr\u00e9 ce d\u00e9roulement d’apparence anarchique, on termine chaque \u00e9pisode avec un vrai sentiment de compr\u00e9hension, sans s’\u00eatre senti si exclu que \u00e7a. Cette narration d\u00e9cousue elle n’est donc pas que stylistique, elle contribue \u00e9norm\u00e9ment \u00e0 nous mettre dans le m\u00eame sentiment de perte et de confusion que la majorit\u00e9 des personnages. Pas une mauvaise id\u00e9e, d’autant qu’elle est bien ex\u00e9cut\u00e9e.<\/p>\n\n\n\n
![\"\"](\"https:\/\/i0.wp.com\/neantvert.eu\/bref\/wp-content\/uploads\/2019\/06\/Boogiepop-and-others-8.jpg?fit=889%2C500\")
<\/figure><\/div>\n\n\n\nMais disons le tout de suite, le souci de Boogiepop<\/em> c’est son d\u00e9coupage en arcs. Ce n’est pas ce d\u00e9coupage lui-m\u00eame qui pose probl\u00e8me mais plus l’irr\u00e9gularit\u00e9 compl\u00e8te de ces arcs en terme de qualit\u00e9. Si le premier arc est une introduction solide, on part ensuite sur un second arc, Vs Imaginator<\/em>, qui n’est pas toujours extr\u00eamement plaisant \u00e0 suivre, la faute \u00e0 un rythme lent et des personnages pas toujours tr\u00e8s int\u00e9ressants. C’est un arc qui ne d\u00e9colle qu’\u00e0 la toute fin, \u00e0 notre grand regret. <\/p>\n\n\n\n
Mais ensuite on embraye sur le troisi\u00e8me arc, Boogiepop At Dawn<\/em>, qui a eu la particularit\u00e9 d’avoir \u00e9t\u00e9 diffus\u00e9 d’un seul coup la m\u00eame soir\u00e9e, et on sent tr\u00e8s vite que c’est l’arc sur lequel les ambitions de l’\u00e9quipe de r\u00e9alisation ont \u00e9t\u00e9 le plus \u00e9lev\u00e9es. Chara-design radicalement diff\u00e9rent, rythme plus p\u00e9chu, dialogues mieux mis en sc\u00e8ne, action, drame, trag\u00e9die, horreur: on trouve dans cet arc tout ce que Boogiepop<\/em> sait faire de mieux. Quel dommage, donc, de suivre et de conclure avec un quatri\u00e8me arc – Overdrive<\/em> – qui se conclut en tire-bouchon, malgr\u00e9 quelques id\u00e9es s\u00e9duisantes (des personnages secondaires qui vivent des r\u00eaves tr\u00e8s intenses), mais qui n’aboutissent pas sur quoi que ce soit de tr\u00e8s concret. <\/p>\n\n\n\n
![\"\"](\"https:\/\/i2.wp.com\/neantvert.eu\/bref\/wp-content\/uploads\/2019\/06\/Boogiepop-and-others-17.jpg?fit=889%2C500\")
<\/figure><\/div>\n\n\n\nPar contre, qu’est-ce que le Boogiepop \u00e9ponyme est charismatique. La s\u00e9rie le sait, et en joue pas mal: c’est un personnage qui appara\u00eet finalement tr\u00e8s peu durant la s\u00e9rie, donc chaque apparition est d’autant plus belle que non seulement on l’attendait avec impatience mais qu’en plus elle est souvent synonyme de bottages de cul sur fond de musique classique doucement sifflot\u00e9e. Tout le personnage a une vraie aura, de son costume embl\u00e9matique jusqu’\u00e0 sa douce voix tra\u00eenante, qui permet \u00e0 la d\u00e9finitivement talentueuse Aoi Yuuki de partir dans des gammes qu’on lui ignorait jusque l\u00e0. Du coup, les autres personnages principaux paraissent tout de suite plus ternes, d’autant que leur chara-design ne sont gu\u00e8re flamboyants: on appr\u00e9ciera par exemple le personnage de Nagi mais c’est bien la seule qui arrive \u00e0 ne pas se noyer dans l’ombre du Boogiepop.<\/p>\n\n\n\n
Je suis donc au final \u00e9trangement mitig\u00e9 sur Boogiepop<\/em>: beaucoup d’\u00e9pisodes ont \u00e9t\u00e9 un \u00e9norme plaisir, d’autres m’ont pouss\u00e9s dans un ennui complet. La s\u00e9rie ne manque pas de qualit\u00e9s techniques, se d\u00e9fend excellemment bien d’un point de vue musical – la bande originale ainsi que les g\u00e9n\u00e9riques d\u00e9foncent vraiment<\/em> -, mais reste l’adaptation d’une \u0153uvre dat\u00e9e de vingt ans qui n’a pas forc\u00e9ment toujours bien vieillie, et dont le propos n’a pas forc\u00e9ment \u00e9t\u00e9 si modernis\u00e9 que \u00e7a. Le soin apport\u00e9 est certain, l’ambiance reste r\u00e9ussie, mais au final on termine la s\u00e9rie avec un profond sentiment d’inachev\u00e9 et beaucoup trop de questions en suspend.<\/p>\n\n\n\n
![\"\"](\"https:\/\/i1.wp.com\/neantvert.eu\/bref\/wp-content\/uploads\/2019\/06\/Boogiepop-and-Others-6.jpg?fit=889%2C500\")
<\/figure><\/div>\n\n\n\n
\n\n\n\n![\"\"](\"https:\/\/i0.wp.com\/neantvert.eu\/bref\/wp-content\/uploads\/2018\/12\/BikkiOK.png?resize=250%2C250\")
<\/figure>\nBoogiepop and Others<\/strong><\/p>\n\n\n\n
![\"2.5](\"https:\/\/neantvert.eu\/bref\/wp-content\/plugins\/universal-star-rating\/includes\/image.php?img=02.png&px=36&max=5&rat=2.5\")
(2,5 \/ 5)
Sympa<\/strong><\/p>\n\n\n\nBoogiepop<\/em> est un cas compliqu\u00e9: l’adaptation fait preuve d’un vrai soin et sait rendre hommage \u00e0 ce v\u00e9n\u00e9rable light novel de la fin des ann\u00e9es 90. Mais en m\u00eame temps, la s\u00e9rie souffre de sa volont\u00e9 de proposer une ambiance diff\u00e9rente \u00e0 chaque arc, certains \u00e9tant nettement moins r\u00e9ussis que d’autres. L’arc Boogiepop At Dawn<\/em> reste profond\u00e9ment recommand\u00e9.<\/p>\n<\/div><\/div>\n\n\n\n
La galerie:<\/strong><\/p>\n\n\n\n
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<\/figure><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"
- R\u00e9alisation:<\/strong> Shingo Natsume<\/li>
![\"\"](\"http:\/\/neantvert.eu\/bref\/wp-content\/uploads\/2019\/01\/2e5.png\")
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